Tagged: music

Hands-on with PaRappa the Rapper Remastered

I had to Believe, and now PaRappa the Rapper is going to be playable on a modern TV! Announced at PlayStation Experience, PaRappa the Rapper Remastered is coming in 2017 alongside updates of LocoRoco and Patapon but right now the game’s release date is December 31st, 2017! That has to be a placeholder date since Sony also released a free playable demo on the day of the announcement.

And here it is, all 10 minutes of it. Check out Chop Chop Master Onion in HD fidelity so fine you can practically get a paper cut from his edges! How’s that for PR hyperbole?

Yes, I’m posting about Dead Star again (the music this time)

Alright, alright, I think this is my final post about Dead Star. After recording some final rounds and the tutorial with the default volume mix I went back to capture what I could of the game’s great, but short, soundtrack. Unfortunately, there was no way to access the Escape Run mode after the servers went offline so there are a couple of tracks we may never hear again without YouTube commentary and sound effects blaring.

What I was able to grab were seven tracks including the theme song that’s most familiar to players as it swelled and simmered in the background of all the menus. There are four in-game themes that were tied to several of the different maps. For those I simply named them after the first map I encountered them in. A little more on the subtle side are the Training theme and the Credits music that dial down the pomp of the main theme.

As a videOST I edited each track to some footage from the game, mostly me performing poorly against max leveled veteran players in the final days of the game. Take a listen above or load up the playlist or rip the music from the videos… whatever it is you kids do to listen to music these days.

Good Karma, Bad Game: The Music of Super Bombad Racing

Because nobody asked — no, wait — because one person asked, here is the entire soundtrack from one of the most maligned Star Wars games in existence: Super Bombad Racing. I bought it just over a year ago to see if its soundtrack offered any fun remixes of Star Wars themes for a feature I wrote on Original Sound Version. Turns out, it doesn’t.

But I am nothing but a conduit: passing something I have (and don’t necessarily love) onto someone who wants it. I’m like a Video Game Buddhist, or at the least I’m paying it forward for my fellow gamers in search of obscure coverage.

Who’s next? What do you want to see or hear? If I’ve got it or can get ahold of it I’d love to do some more requests. Bonus points if you pick a game that happens to be on my growing backlog.

Unboxing that Metal Gear Solid V Soundtrack on Cassette Tape

So that $50 edition of the Metal Gear Solid V soundtrack arrived and I did a quick unboxing video. I’d have appreciated it more if I weren’t reeling from a migraine and struggling through the absentminded haze it brought, but here it is! Definitely a functional cassette tape packed in with another MGSV soundtrack on CD.

The album is called ‘The Lost Tapes’ and contains most of the original music found scattered around the game world. It’s my favorite collection of music from the game but it’s not the all-inclusive album I thought it was. Looking through the liner notes I finally realized what the deal must be: all the songs (and most of the credits) go to lead composer, Ludvig Forssell. ‘The Lost Tapes’ seems to be a personal production of just his music and even includes new songs not found in the game.

It’s great to finally have an official release for some of these songs and the new tunes are a nice bonus. I’ll probably be writing more about it over on Original Sound Version one of these days.

Of 2015: The Best Game Music

of2015-music

Pardon my link bait but I already did a recap of my favorite game music from 2015 over at Original Sound Version. I even think it turned out pretty well so you should probably check it out over there. If, for whatever reason, you just can’t bring yourself to leave GameLuv I’ll do you a quick recap of my picks.

Game Soundtrack of the Year: Metal Gear Solid V: The Phantom Pain
By: Ludvig Forssell, Justin Burnett, Harry Gregson-Williams, Daniel James, Rina Yugi, Steve Henifin (Kojima Productions), Donna Burke, Stefanie Joosten

If you still love listening to a soundtrack after spending 200+ hours with it, you know it’s something special! While the storyline of MGSV may be all over the place, the music — from original score to mood-setting ambiance to licensed 80’s pop songs — holds true to the game’s themes of pain and revenge. Even the licensed tracks used only in trailers leading up to its release stick to the overall vibe of the game.

Runner Up: Minna de Spelunker Z/Spelunker World
By: Ken-ichiro Iwasaki, Maro Miyakawa

I don’t know how many hours I spent with Spelunker in 2015 but I kept up with the Japanese and U.S. versions almost every single day from April on. It’s a peculiar combo of punishing retro platforming and modern, free-to-play design that I can’t seem to get enough of. As such the infectiously catchy music has been in my head all year long and I love and hate and LOVE it!

Arrangement Album of the Year: V-Jams by V-Jams

V-Jams’ style hit me so hard back in August that it made me feel like a video game music virgin; as if no one had ever rearranged a video game tune before. It’s not because V-Jams’ renditions are ultra-authentic to the source material, far from it. V-Jams pushes familiar themes to the edge of recognizability and then noodles over them with amazing jazzy style as the minutes unravel. There’s also a bit of mystery around the collective which I’m eager to see revealed in 2016 because it means more of this astounding music won’t be far behind!

Runner Up: Volume III by DJ Cutman

While I love the wildest deconstructions of music I also appreciate the simple art of adding fat beats. It really was that simple on Cutman’s earliest works but for 2015’s Volume III there’s a lot more going on. Chopped and looped with layers of fresh drums and beats, he’s reinvigorated some of my favorites and introduced me to so many new soundtracks. Volume III is simply his most polished and professional work yet and well worth checking out.