Marvel Games Retrospective 3: X-Men by Konami
This is the third in my series of reminiscing on Marvel games of the past and present (although almost three years late!), and we’re going to revisit the mighty mutants of Marvel, the Uncanny X-Men, in their first arcade game! [Read Part 1 and Part 2 here]
X-Men was a unique title in that it had three cabinets available for play: there was a two player cabinet, a four player cabinet, and a massive six player, two screen behemoth. While multiple screen arcade games weren’t new, as Darius and The Ninja Warriors had multiple screens, X-Men’s six player count was definitely something that hadn’t quite been tried before and wasn’t quite duplicated afterwards. The game was released in 1992 and was an instant hit in the arcades, a time in which arcades in the US had been revitalized thanks to the success of Street Fighter II.
The source of the arcade game was inspired by the 1989 animated pilot titled “Pryde of the X-Men,” wherein Kitty Pryde is introduced to the team in quite a hit-the-ground-running kind of fashion. It featured Cyclops, Storm, Colossus, Nightcrawler, Dazzler, and of course, Wolverine, against the Brotherhood of Evil Mutants led by Magneto, taking the fight all the way to Asteroid M. Now, retrospectively, “Pryde of the X-Men” isn’t very good. There’s a lot wrong with it. And for some bizarre reason, Wolverine is given an Australian accent, which may or may not have foretold the future where Hugh Jackman was to faithfully take the claws for about 17 years. But if you’re a Marvel loving kid waking up in the wee hours of the morning in 1989 to watch the Marvel Action Universe, a syndicated block of cartoons featuring reruns of old Spider-Man (And sometimes His Amazing Friends) episodes and, for some reason, Robocop, seeing that was a very pleasant and very welcome surprise.
The art style in the game is very much influenced by that pilot, although with a slight anime touch, and it looked great as a result. Time has worn that away a little, but it still looks pretty good even if a bit sparse. The screen fills with enemies, explosions, and fire and it still keeps up with all the action. It was a step up from the 1989 Teenage Mutant Ninja Turtles arcade game in every way.
The gameplay is simple. Like TMNT, you fight in a wide plane in all eight directions. You get three buttons: attack, jump, and mutant power. You can combine attack and jump, but the mutant power is a little tricky. You get a limited number of them, which only refill by one at the end of a stage, and on top of that, using one will drain your health by four points. And that’s the kicker: this game is hard, designed to do nothing but suck down your quarters like nobody’s business, and unless you’re bringing a full posse, you are inevitably going to spend a few dollars on this game. Forget about going it alone, too. Shawn and I did beat it in the arcade once, with a random third player, and I’m pretty sure by the end of it we were all tapped out of money. The Japanese version is a little more forgiving, with the insertion of health packs and bonus items, but not by much.
Of all the characters, Wolverine was of course the best melee character and Colossus had the best mutant power, so people went to play those two first. Cyclops and Nightcrawler were average, and Storm was fine in a pinch, but why does she have to fight with a staff? Nobody wanted to be Dazzler though. Dazzler was lame, they said. Why play as Dazzler? Well, I’m going to shock everyone here and say that Dazzler is an OK character. Sure, she started out as a rollerskating disco queen, and sure, she was basically thrown away after the 1991 X-Men comic reboot, but there is nothing wrong with Dazzler. In fact, in the game, she even has a neat flip throw that gets her out of some situations and her mutant power is not bad when used efficiently. Would the world have preferred Jean Grey, Rogue, or Psylocke? Sure, but they weren’t in “Pryde of the X-Men.” Dazzler is fine.
Another thing that I should mention is the sound. Not just the music, which was really good arcade style music, but the voice samples throughout the game are pretty much legendary. The game starts off with a short narration and then after Charles Xavier asks you to “Go and SAVE the CITY!” we are off! Now, it is highly doubtful that any of the voice talent from the “Pryde of the X-Men” were available for the game in the same way that some of the X-Men animated series cast was used for Capcom’s later X-Men: Children of the Atom arcade game, but the voices are pretty great. One of the more fun things to do in the game is to interrupt the level boss as they make their introductory speech. Memories of “Pyro will—ugh!” and “Nothing moves the—” are pretty fresh in my mind and always fun to replicate. Of course, everyone remembers Magneto’s “Welcome to die!” and it always gives us reason to laugh while we punch him in his face. Or, better yet, use Colossus’ mutant power and get him to yell a very satisfying roar. This game was very loud, and since arcade operators were not shy to turn the volume up on the cabinet, all the explosions and yells drove home how epic this game felt.
X-Men was released at the height of the battle between the Genesis and the SNES and everyone at the time wondered why it never came to consoles. Turtles In Time made a very nice SNES game, so you could imagine that a little work on Konami’s part might make for a decent translation, right? While that could have been possible, the problem came down to the same situation that has mucked up a lot of Marvel’s properties throughout the years: licensing. The X-Men were already licensed for home consoles by Acclaim through its LJN—yes, the same LJN that produced the execrable Marvel’s X-Men on the NES—and Flying Edge labels, and they had just released a terrible game called Spider-Man and the X-Men In Arcade’s Revenge; the next year would see the really good Genesis X-Men game by Sega, and in 1994, Capcom’s X-Men: Mutant Apocalypse would appear on the SNES, leaving no room for Konami to port their title.
As time went on, people took it as a given that the only way to play Konami’s X-Men was to emulate it through MAME, but in the unlikely year of 2010, it finally reached home consoles via the Xbox Live Arcade and PlayStation Network. It even saw a release on the iOS and Android! Ported by Backbone Entertainment, the game featured internet multiplayer (only four players though!), the usual graphical options for emulation, and the inclusion of the Japanese version just in case you wanted to experience some of those power-ups they took out of the American version. It was pretty good, but by 2010, gamers who had decided action fighters were long past their sell-by date wrote it off (and many of these same people wax nostalgic about the Simpsons arcade game, also made by Konami, which is something I don’t understand at all). At some point, between Konami’s retreat from the gaming sphere and Marvel’s insane licensing situations, it was delisted from all services, and as of 2017 it leaves MAME, once again, as the only place to play it.
Is Konami’s X-Men dated? Yes, of course. But is it still fun? Yes, there’s lots of fun you can have with it. Bring some friends together; it’s not actually a terribly long game and you’ll be immensely satisfied once you beat the stuffing out of Magneto. Or better yet, find a young kid who’s just getting into superheroes and have them experience it. They’ll love it.
And stop hating on Dazzler.
Shawn’s Note: Sure enough, it still pleased the nephews back at Christmas. It’s colorful and kinetic enough that even without knowing who the X-Men are they were having fun. At one point they unexpectedly got into a fight over who could put in the most credits though. Explaining arcade games might be the hardest part about playing it with them.